Jennifer Wright

Jennifer Wright is an author of history books, television writer, columnist, podcaster, and speaker.

Her books include the upcoming Glitz, Glam, and a Damn Good Time: How Mamie Fish, Queen of the Gilded Age, Partied Her Way to Power (Hachette Books, 2025), Madame Restell (Hachette Books, 2023), as well as It Ended Badly: 13 of the Worst Break-Ups in History, and the Audible bestseller Get Well Soon: History's Worst Plagues and The Heroes That Fought Them.

She is the former political editor-at-large for Harper's Bazaar and her work can be seen in places like The New York Times, The New York Post, The New York Observer, Time Out New York, and some other publications that don't have “New York” in the title, like The Washington Post.

Jennifer is also a frequent speaking guest and panel moderator for schools, museums, and networking events — speaking on the subjects of how societies, past and present, address women’s issues, reproductive rights, love, and of course, plagues.

She is represented by Anna Sproul-Latimer at Neon Literary.

She is married to writer, Daniel Kibblesmith (her favorite person) and is a mother to a daughter (her other favorite person).

You can follow her on Threads at @JenAshleyWright.

Photo by Anna Marie Tendler.

Glitz, Glam, and a Damn Good Time

‘How Mamie Fish, Queen of the Gilded Age, Partied Her Way to Power’

By Jennifer Wright

From the author of Madame Restell and Get Well Soon, a biography of Mamie Fish that explores how women used parties and social gatherings to gain power and prestige.

Marion Graves Anthon Fish, known by the nicknames “Mamie” and “The Fun-Maker,” threw the most epic parties in American history. This Gilded Age icon brought it all: lavish decor; A-list invitees; booze; pranks; and large animal guest stars. If you were a member of New York high society in the Peak Age of Innocence Era, you simply had to be on Mamie Fish’s guest list. Mamie Fish understood that people didn’t just need the formality of prior generations — they needed wit and whimsy.

Make no mistake, however: Mamie Fish’s story is about so much more than partying. In Glitz, Glam, and a Damn Good Time, readers will learn all about how Fish and her friends shaped the line of history, exerting their influence on business, politics, family relationships, and social change through elaborate social gatherings. In a time when women couldn’t even own property, let alone run for office, if women wanted any of the things men got outside the home—glory, money, attention, social networking, leadership roles—they had to do it by throwing a decadent soiree or chairing a cotillion.

To ensure people would hear and remember what she had to say, Mamie Fish lived her whole life at Volume 10, becoming famous not by playing the part of a saintly helpmeet, but by letting her demanding, bitchy, hilarious, dramatic freak flag fly. It’s time to let modern readers in on the fun, the fabulousness, and the absolute ferocity that is Ms. Stuyvesant Fish—and her inimitable legacy.

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Madame Restell

‘The Life, Death, and Resurrection of Old New York's Most Fabulous, Fearless, and Infamous Abortionist’

By Jennifer Wright

In the vein of pop history books by Lindsey Fitzharris, Alexis Coe, and Paulina Bren, a sharp, witty Gilded Age medical history starring the glamorous Madame Restell, a fearless birth control provider and abortionist for unmarried women in NYC, in defiance of persecution from powerful men.

Madame Restell is a sharp, witty Gilded Age medical history which introduces us to an iconic, yet tragically overlooked, feminist heroine: a glamorous women’s healthcare provider in Manhattan, known to the world as Madame Restell. A celebrity in her day with a flair for high fashion and public, petty beefs, Restell was a self-made woman and single mother who used her wit, her compassion, and her knowledge of family medicine to become one of the most in-demand medical workers in New York. Not only that, she used her vast resources to care for the most vulnerable women of the city: unmarried women in need of abortions, birth control, and other medical assistance. In defiance of increasing persecution from powerful men, Restell saved the lives of thousands of young women and, in fact, as author Jennifer Wright says in own words, “despite having no formal training and a near-constant steam of women knocking at her door, she never lost a patient.” Restell was a revolutionary who opened the door to the future of reproductive choice for women, and Wright brings Restell and her circle to life in this dazzling, sometimes dark, and thoroughly entertaining tale.

In addition to uncovering the forgotten history of Restell herself, the book also doubles as an eye-opening look into the “greatest American scam you’ve never heard about”: the campaign to curtail women’s power by restricting their access to healthcare. Before the 19th century, abortion and birth control were not only legal in the United States, but fairly common, and public healthcare needs (for women and men alike) were largely handled by midwives and female healers. However, after the Birth of the Clinic, newly-minted male MDs wanted to push women out of their space—by forcing women back into the home and turning medicine into a standardized, male-only practice. At the same time, a group of powerful, secular men—threatened by women’s burgeoning independence in other fields—persuaded the Christian leadership to declare abortion a sin, rewriting the meaning of “Christian morality” to protect their own interests. As Wright explains, “their campaign to do so was so insidious—and successful—that it remains largely unrecognized to this day, a century and a half later.” By unraveling the misogynistic and misleading lies that put women’s health in jeopardy, Wright simultaneously restores Restell to her rightful place in history and obliterates the faulty, fractured reasoning underlying the very foundation of what has since been dubbed the “pro-life” movement.

Thought-provoking, character-driven, funny, and feminist as hell, Madame Restell is required reading for anyone and everyone who believes that when it comes to women’s rights, women’s bodies, and women’s history, women should have the last word.